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THE NEW COLLECTORS
THE NEW COLLECTORS serves as a premier global platform exploring the intersection of modern art and cultural trends. We provide enthusiasts with exclusive insights into rising talent, elite galleries, and the evolving landscape of the international art trade.
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Jordan Tran Kean - The Interview
Jordan Tran Kean, Studio SR You began your artistic journey through graffiti and urban space before gradually moving toward the quieter and highly controlled language of your current paintings. What did you discover through this transition, and what did you feel you were searching for when you moved from the walls into the studio? JK Light is an integral part of my work. It is at the heart of my practice, essential and inseparable from my paintings. It helps me express what
Vickie Vainionpää - Spectral at Future Gallery
September 10 – October 10, 2026 Future Gallery is pleased to present Spectral, a solo exhibition by Vickie Vainionpää and the artist’s second solo/duo exhibition with the gallery. The exhibition brings together a new body of paintings developed during Vainionpää’s residency at the Skowhegan School of Painting & Sculpture in the summer of 2026, alongside selected works from her earlier Gaze Paintings series. The paintings in Spectral begin with a question of painterly space: h
Pauline Hoyer
Pauline Hoyer in Studio Pauline Hoyer’s paintings draw from the visual language of the Baroque and the dreamlike atmosphere of Romanticism, exploring the inner landscape of human consciousness. Her figures exist beyond space and time not as portraits of individuals, but as expressions of the universal human experience. Through movement, light, and fluid transformation, they express states of awareness, transcendence, and inner transformation. Hoyer explores the idea that cons
Art Basel Paris 2026: Paris Becomes the Centre of the Art World
From October 23 to 25, 2026, with Preview Days on October 21 and 22, Art Basel Paris will return to the Grand Palais for its fifth edition, bringing together 211 galleries from 41 countries and territories. The 2026 edition marks the first under the direction of Karim Crippa and arrives at a particularly significant moment for Paris, a city whose position within the international art market has continued to strengthen while its institutional and gallery landscape becomes incr
5 Exhibitions You Shouldn’t Miss This October
From New York to London and Amsterdam, five exhibitions defining the autumn art calendar October is one of the moments when the international art world seems to accelerate. After the quieter rhythm of the summer months, museums reopen their programmes with major exhibitions, galleries return to a full calendar of openings and fairs, and collectors begin moving between the world's principal cultural capitals. This October, the museum programme is particularly rich. Across New
ARTISTS
Jordan Tran Kean - The Interview
Jordan Tran Kean, Studio SR You began your artistic journey through graffiti and urban space before gradually moving toward the quieter and highly controlled language of your current paintings. What did you discover through this transition, and what did you feel you were searching for when you moved from the walls into the studio? JK Light is an integral part of my work. It is at the heart of my practice, essential and inseparable from my paintings. It helps me express what
Per Adolfsen: Drawing, Nature and the Act of Seeing
Born in Odense in 1964, Danish artist Per Adolfsen has developed a practice deeply rooted in drawing, observation and the natural landscape. After exploring different artistic languages throughout his career, including abstraction and surrealism, Adolfsen returned to the direct study of nature, working outdoors with pencil and paper and transforming his observations into larger works on paper. His landscapes are not simply representations of places, but investigations into pe
Dean Fox - The Interview
SR From London to Central Saint Martins, and then into the commercial world of advertising and gaming, your early career seems to have been shaped by both traditional artistic training and a highly structured visual environment. Looking back, what did those formative years teach you about seeing, composing and constructing an image and what eventually made you feel that you needed to return to painting? DF Those years were not separate from painting in a way. They heavily tra
NEWSLETTER
A curated weekly dispatch of global art intelligence, emerging perspectives, and strategic analysis for the modern collector.
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