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THE NEW COLLECTORS
THE NEW COLLECTORS serves as a premier global platform exploring the intersection of modern art and cultural trends. We provide enthusiasts with exclusive insights into rising talent, elite galleries, and the evolving landscape of the international art trade.
NEWS


Surfside Memories: On Maxwell Stevens’ Soft Focus Beach Scenes
Maxwell Stevens is a New York City based artist renowned for his layered paintings and drawings which combine photorealistic imagery with vivid, energetic abstractions. In his recent exhibition Surfside, New Paintings at Onetwentyeight in New York, the beach is more than a place of leisure, it becomes a space where intimacy is revealed, even as physical proximity conceals emotional distance. It is also a site for fleeting memories and leisurely moments that disappear and ye


Brea Freeburn
On painting, embodied perception and the spaces we hold within Brea Freeburn (b. 2000, Newry, Northern Ireland) is a painter based in the UK. She graduated from the Royal College of Art in 2026, having previously completed a First-Class Honours degree in Fine Art Painting at Ulster University. Her practice explores embodied perception, refuge and quiet presence, working with paint, relief and layered surface to create forms that hold emotional and physical trace. Through a pr


Madeleine Skrzynecka
Madeleine Skrzynecka is a Polish painter based in Madrid, Spain. Through painting, she has gradually built an imagined world of her own, inhabited by recurring figures, elaborate costumes, intimate interiors, and landscapes that seem to exist somewhere between memory and imagination. Her paintings are guided by an interest in intimacy, femininity, and the emotional traces left by people, places, and fleeting moments. Rather than depicting specific stories, she creates scenes


Tereza Preisler
"I am a Czech artist and a teacher of music and art based in the Czech Republic. I experience synesthesia, which allows me to perceive music not only through sound, but also through colour, shape, and visual structures. This way of experiencing music forms the foundation of my artistic practice. For several years, my work has explored the relationship between visual art and music. By combining my synesthetic perception with an analytical understanding of musical structure, I


Tom Pike
Biography Tom Pike (b.1978) is a British Artist currently based in London and the Peak District (UK). He started his practice in 2019, at the age of 41, whilst living and working in Germany. Tom graduated from the Royal College of Art in 2003 with a masters degree in menswear fashion design. Since then, he has spent over 20 years working at companies such as Levi’s, Adidas and Fila and has lectured on the Fashion, Print and Textiles courses at the Royal College of Art and Lon
ARTISTS


Jordan Tran Kean - The Interview
Jordan Tran Kean, Studio SR You began your artistic journey through graffiti and urban space before gradually moving toward the quieter and highly controlled language of your current paintings. What did you discover through this transition, and what did you feel you were searching for when you moved from the walls into the studio? JK Light is an integral part of my work. It is at the heart of my practice, essential and inseparable from my paintings. It helps me express what


Per Adolfsen: Drawing, Nature and the Act of Seeing
Born in Odense in 1964, Danish artist Per Adolfsen has developed a practice deeply rooted in drawing, observation and the natural landscape. After exploring different artistic languages throughout his career, including abstraction and surrealism, Adolfsen returned to the direct study of nature, working outdoors with pencil and paper and transforming his observations into larger works on paper. His landscapes are not simply representations of places, but investigations into pe


Dean Fox - The Interview
SR From London to Central Saint Martins, and then into the commercial world of advertising and gaming, your early career seems to have been shaped by both traditional artistic training and a highly structured visual environment. Looking back, what did those formative years teach you about seeing, composing and constructing an image and what eventually made you feel that you needed to return to painting? DF Those years were not separate from painting in a way. They heavily tra
NEWSLETTER
A curated weekly dispatch of global art intelligence, emerging perspectives, and strategic analysis for the modern collector.
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